“I think there comes a time and place where you have a reckoning with yourself, and I got to that point when we worked on that record,” he said. Some of it is reminiscent of the Mercyful Fate days, back when I was listening to that stuff with Lars and James when we would get drunk every night.”Īnother factor for Mustaine in his decision to break free from the bonds of pure thrash regarded reconciling what he enjoyed playing with what he was just used to doing. Then there are just things on there that are real heavy rock songs. “We kept a lot of our credibility with songs that were really heavy and others that were evil sounding and slower. “ Countdown was a turning point for us,” Mustaine said. Megadeth achieved the marriage of intensity and infectiousness by crafting eerie intros, moody riffs and minor-key rhythms, and he and guitarist Marty Friedman kept the music crisp and chunky. There’s a lot of bands that have made the same record over and over and over again, and they need to really take a look at what they’re doing because they’re gypping the fans.”įor Mustaine, writing listener-friendly melodies wasn’t enough. It would just sound like Krokus or any of those other bands that sound like somebody else. Trying to make another ‘Five Magics’ would be horseshit. “And one of the smart things I think about myself and this band is that we know when we’ve done our best in any particular field. “We knew we couldn’t make Rust In Peace again. So he decided expose fans to another side of the band and focused more intently on melody than ever. In addition to wanting to write music for a new generation of metal fans, Mustaine consciously strived to evolve from what he had done before. “And that’s why we just dove straight head-first into what became Countdown.” “In 1991 when we were writing songs for Countdown to Extinction, we saw the writing on the wall that an era was ending, which is an era we helped create with the earliest thrash and speed metal music,” Mustaine told me in 1999.
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